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11 Shocking Facts About Runway Model Queen In The 80S | Naomi Campbell Is the Eternal Catwalk Queen
- In 1979, she came home to do Auggie’s gala and had a run-in with the then god of fashion shows, the choreographer Gary Flores whose word was law, even among top designers. His friction with Anna brewing, Gary, on the eve of Auggie’s gala, made Auggie choose—junk Anna or he wouldn’t have a show. A tearful Auggie had no choice—Anna had to be dropped from the roster. Anna relented and became just part of the gala night audience. In deference to Anna, Auggie “killed” all the clothes Anna was supposed to wear on the show, instead of letting other models don them. - Source: Internet
- This inspired Anna to develop her now famous approach to modeling— “I’ll be what you want me to be—an Asian, a South American, a black.” Anna’s ability to change her looks became known and good copy for global fashion media. She would be the fashion world’s most accomplished chameleon. - Source: Internet
- Without an agent, she walked into Elite (its runway modeling unit) in New York. She preferred to do this herself, instead of letting her Paris agency do the advanced work in New York, not because she was that daring but because like a full-blooded Ilocana, she wanted to save. She didn’t want to spare the 15% for her Paris agency. - Source: Internet
- But then no neophyte model ever starts in New York; the Big Apple is only for the famous ones—a model starts in Europe where she can build her portfolio and only from there can she hope to crash into cutthroat New York. Anna learned this the hard way. She had a year of rejections in New York. - Source: Internet
- Harper’s Bazaar described the ‘80s as “a time when flaunting excess was de rigueur, when designers like Christian Lacroix , Claude Montana , Carolyne Roehm , Yves Saint Laurent , Oscar de la Renta , and Chanel’s Karl Lagerfeld piled on the pomp and pageantry. And there to strut down their runways and grace their campaigns were the top models. They served as muses, walking embodiments of the glamour they sought to present.” - Source: Internet
- Anna has graced the covers of the world’s top fashion magazines (from Vogue to W). She has been photographed by the world’s best (from Avedon to Helmut Newton). She has modeled for the fashion gods (from Saint Laurent to Isaac Mizrahi). She has introduced to world fashion the image of the exotic Filipino beauty and thus has paved the way for the demand for Oriental beauty in world fashion. The New York Times has coined the phrase “the Anna Bayle walk” to describe Anna’s signature movement on the runway. - Source: Internet
- That night Anna told the victorious Gary—“I’ll never let this happen to me again. I’ll be the best f—ing model you’ll ever meet in your life.” - Source: Internet
- It was at this point that she decided to try Paris. There she would meet the Thierry Mugler who took her in as a cabin model. (Interestingly, while Anna was starting out as a Mugler model, Mugler’s assistant designer was Azzedine Alaia. This shared beginning explains Anna’s bonding with the now famous Alaia.) - Source: Internet
- “This” refers to the latest story in harpersb azaar.com titled The 20 Top Supermodels That Dominated Fashion in the ’80s . Its subhead reads: “From Iman and Anna Bayle to Jerry Hall and Brooke Shields, these are the names that defined the era of excess.” - Source: Internet
- Here was her intelligence at work—to a Claude Montana go-see, she’d wear a Montana or a Mugler (whose style was close to Montana’s) to show the designer at once that she was the model he needed. Preparing for a Sonia Rykiel, she wouldn’t eat for two days just to be able to look frail and feminine. She would spread powder on her face to achieve paleness, because the frail, pale, feminine look was Sonia Rykiel’s stamp. - Source: Internet
- Even the greatest catwalk falls. In an infamous moment, Campbell’s ankles buckled in sky-high Vivienne Westwood heels. Campbell laughed it off, picked herself up, and finished out the runway. - Source: Internet
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